
 With the founding of the Inscape Chamber Orchestra in 2004, Artistic Director Richard Scerbo set out to create an ensemble intent on reaching new audiences by performing interesting and relevant programs. An immediate success, Mr. Scerbo created the Inscape Chamber Music Project as a companion to the Inscape Chamber Orchestra. Together, these groups represent one of the most exciting performing organizations in the Washington Metropolitan area. Mr. Scerbo co-founded his first orchestra, The Philharmonia Ensemble, in 2000 with violinist Dale Barltrop while studying at the University of Maryland. As Music Director, he led the orchestra in a series of diverse and exciting programs that included collaborations with artists such as pianist Rita Sloan, soprano Carmen Balthrop, and the Prism Brass Quintet. In 2003, he made his operatic debut conducting Dominick Argento’s A Water Bird Talk with The Philharmonia Ensemble and Handel’s Xerxes with the Maryland Opera Studio. Mr. Scerbo helped launch the Londontowne Symphony Orchestra (Maryland) in 2003 when he was invited to conduct their inaugural concert, and returned again in 2004 to conduct their season opening concert. Mr. Scerbo is a graduate of the University of Maryland, where he studied conducting with James Ross and bassoon with Daniel Matsukawa, Sue Heineman, and Linda Harwell. He has attended conducting workshops in Austria and the Czech Republic working both with the International Festival Orchestra, Kromeriz, and the Bohuslav Martinu Philharmonic. He has also been guided in his studies by classes with Leonard Slatkin, Heinz Fricke, Gustav Meier, and with Johannes Schlaefli at the Musikhochschule Zurich. In addition to his work with Inscape, Mr. Scerbo is the Assistant Director for Artistic Planning and Operations at the University of Maryland School of Music. He is also the Managing Director of the National Orchestral Institute, a training program for orchestra musicians on the threshold of their professional careers. Mr. Scerbo serves on the faculties of Montgomery College and The Bullis School, and is conductor of the Montrose Ensemble in Rockville, Maryland.
 Brandon Almagro began playing trumpet at age 12 in his hometown of New Berlin , WI . He holds a Bachelor of Fine Arts Degree in music performance from the University of Wisconsin-Milwaukee and a Master of Music degree from the University of Maryland . Brandon has studied with Chris Gekker, Steven Hendrickson, and Dennis Najoom. Currently, Brandon is a member of the United States Navy Band in Washington, D.C. With the band, he performs frequently at the White House, Pentagon, Capitol, and Arlington National Cemetery. Recently, he performed taps live on PBS at the 2009 National Memorial Day Concert on the National Mall. He has been featured in the National Geographic book, Where Valor Rests: Arlington National Cemetery. In addition to his duties with the Navy, he maintains an active free-lance career. Brandon performs frequently with the popular Philadelphia soul group, The O’Jays, and is a regular performer at Toby’s Dinner Theater in Baltimore and Columbia , Maryland . He has also performed with the Washington Symphonic Brass, Annapolis Symphony, McLean Orchestra, Annapolis Chorale and Chamber Orchestra, and nationally with Keith Brion’s New Sousa Band. Brandon is the adjunct professor of trumpet at Washington Adventist University.
 M. Bryce Bunner is Principal Violist of The Air Force Strings, Bolling Air Force Base, Washington, D.C. A 1993 graduate of F.J. Reitz High School in Evansville, Indiana, Bryce continued his musical studies at Oberlin College, earning a Bachelor of Music in Viola Performance and Music Education in 1998. He subsequently studied at the Cleveland Institute of Music in 1998-99, and in 2004 completed his Master of Music degree at the University of Maryland.
As a freelance musician in the DC area, Bryce is a founding member of Inscape, and has performed with the Baltimore Symphony, the National Gallery Orchestra, National Philharmonic, Maryland Symphony, and the Fairfax Symphony. Prior to joining the Air Force, he was a member of the Erie Philharmonic, the Canton Symphony, and the Evansville Philharmonic, as well as Principal Violist of the Oberlin and Cleveland Institute orchestras. Bryce has attended the Aspen Music Festival, Music Academy of the West, the Kent/Blossom Music Festival, and the Encore School for Strings. His principal teachers have included Roland Vamos, Lynne Ramsey, Mark Jackobs, and Katherine Murdock.
Violinist Sarah D'Angelo received her bachelor of music degree in violin performance from the Peabody Institute of the Johns Hopkins University, and her master of music degree in violin performance and Suzuki pedagogy from the University of Maryland in College Park. Ms. D'Angelo's principal teachers have included: Yong Ku Ahn, Herbert Greenberg, Ronda Cole, and Violaine Melancon of the Peabody Trio. Ms. D'Angelo teaches violin at the Norwood School in Bethesda,MD and has performed with groups such as the Baltimore Opera Company, Maryland Symphony, and Maryland Philharmonic. As a chamber musician, Ms. D'Angelo is a principal player in Inscape Chamber Music Project, and has appeared in concert at the National Gallery of Art, Washington National Cathedral, The Arts Club of Washington, and the Mansion at Strathmore.
Kevin Darrow is an oboist with the United States Air Force Concert Band, Bolling Air Force Base, Washington, D.C. A native of Arlington, Texas, his Air Force career began in March 2002.
A 2000 graduate of Peabody Conservatory, Kevin earned a Bachelor of Music Performance degree. After receiving an Artist's Diploma from Oberlin College Conservatory, he went on to pursue a master's degree at Michigan State University. During his time at Michigan State, he was awarded the Oboe Studio Graduate Assistant Award and the Department of Musicology Graduate Assistant Award. Before joining the Air Force, Kevin performed with the Spoleto Festival Orchestra and the Chautauqua Institute Music Festival Orchestra. His former teachers include Jan Eberle, Joseph Turner and James Caldwell.
Brussels-born pianist Danielle DeSwert works as a freelance collaborative pianist and coach in Washington, DC, and is the music program specialist at the National Gallery of Art. She has worked as a pianist and coach with the Ash Lawn Highland Opera Festival, Chautauqua Opera, Indianapolis Opera, Kentucky Opera, the New Orleans Opera Association, Portland (Oregon) Opera, San Francisco Opera Center, Sarasota Opera, the Washington National Opera, and from 2004-2006 she was the principal repetiteur with the Baltimore Opera Company and Washington Concert Opera. She has worked with world renowned singers including mezzo-soprano Denyce Graves, baritone Rod Gilfry, and soprano Elizabeth Futral, and has assisted many conductors, including Placido Domingo, Julius Rudel, Christian Badea and Patrick Summers. In addition to her work as an opera pianist, she regularly performs in chamber music and voice recitals, including performances at the Arts Club of Washington, the Jewish Community Center of Greater Washington, the Kennedy Center, the Mexican Institute of Culture, the National Gallery of Art, the Russian Embassy, and at the White House. She holds a master of music degree from the University of Michigan, Ann Arbor, where she studied with Martin Katz, and a bachelor or music degree from the University of California, Santa Barbara. Additionally, she studied with Warren Jones and Anne Epperson at the Music Academy of the West, and was an apprentice coach with the Washington Opera, working with Placido Domingo.
 A native of Scarborough, Maine, Justin Drew grew up in a family deeply influenced by music. While beginning his musical studies on the trumpet he performed at the Annual Key Bank Jazz Festival with notables such as Dave Brubeck, Cleo Laine and Wynton Marsalis. Although jazz trumpet was a passion of his, Justin decided to make the French Horn his focus mid-way through completing a Bachelor of Music degree at the University of Maine, Orono. He continued studies on the horn in 2005 at the University of Maryland College Park, where he earned a Masters degree and is currently pursuing a DMA in Music Performance. He has been a finalist in the University of Maryland’s Concerto Competition three years, with both Strauss’s 2nd Concerto and the Ewazen Concerto. Justin has also been a guest soloist at the International Brass Festival, performing Schumann’s Konzertstuck with the Minot Symphony in North Dakota. Equally at home as an orchestral musician, Justin has served as Third Horn with the National Philharmonic for the past year and a regular substitute prior to that. He is a regular substitute with the Palm Beach Opera and the Palm Beach Symphony Orchestra. Justin is also a substitute with the Maryland Symphony Orchestra, Boca Raton Philharmonic and has played with, among others, the McLean Symphony (VA), Southwest Florida Symphony, Lancaster Symphony (PA), Bangor Symphony (ME) and the Prince William Symphony Orchestra and Ballet (VA). Principal teachers include Gregory Miller, Suzanne George and Wanda Whitener. Justin has also been highly influenced in studies with William Vermeulen, Marty Hackleman, John Boden and Eric Ruske.
 Cara Fleck began playing the harp at age four under the instruction of Sonja Inglefield at the Peabody Preparatory. From 1998 to 2001, she participated in the Peabody Preparatory's Sinfonietta and chamber music program. Cara is a seven time recipient of the harp achievement award and a three year scholarship recipient in the Peabody Preparatory Arts for Talented Youth Program. She is a three time winner of the American Harp Society regional scholarship competition, and was recognized as a Maryland Distinguished Scholar for the Arts. Cara continued her studies in music at the University of Maryland with Rebecca Smith under a Creative and Performing Arts Scholarship in 2003 and graduated with a Bachelor of Music in 2007. During her years at Maryland, Cara won second runner up in the University of Maryland Concerto Competition and was a featured soloist with the University of Maryland Repertoire Orchestra. From 2005 to 2007, she participated in the Saratoga Harp Colony, an intensive summer program for the emerging generation of professional harpists. She has participated in masterclasses with Alice Chalifoux, Elizabeth Hainen and Catrin Finch. Currently, Cara is pursuing a master’s in Arts Management at American University. She freelances in the D.C. and Baltimore areas as a soloist and in collaboration with other musicians. Cara has in interest in interdisciplinary performance art and has an affinity for working with composers and premiering new works for harp. She concertizes regularly with the Inscape Chamber Music Project and has recently performed at venues such as the World Bank, International Monetary Fund, Cosmo Club, Kennedy Center and Clarice Smith Performing Arts Center.
Benjamin Greanya, bassoonist, plays regularly with several diverse groups in the Washington DC area, including the National Symphony, Kennedy Center Opera House Orchestra, Baltimore Opera Company, Annapolis Symphony, and Concert Artists of Baltimore. Recent chamber music performances include the Verge Ensemble of the Contemporary Music Forum and the Fessenden Ensemble. Other orchestra appearances include the Alabama Symphony, Hartford Symphony, Virginia Symphony, and Tenerife Symphony Orchestra in Spain. He attended the Kent Blossom and Aspen music festivals and was a fellow at the Tanglewood Music Center and National Repertory Orchestra. Benjamin holds degrees from the University of Michigan and the New England Conservatory of Music.
 A native of Pittsburgh, pianist Tessa Hartle is active in the Washington, DC area as collaborator, soloist and teacher. Besides playing with Inscape and in various vocal and instrumental recitals, Tessa has served as rehearsal pianist for productions at Opera Theatre of Northern Virginia and Maryland Opera Studio. She was a fellowship pianist in the Aspen Opera Theater Center in Summer 2009, prior to which she attended the festival as a collaborative artist for three summers. As soloist, Tessa premiered John Leupold II's A Luminare of an Anomalous Symbiosis as part of the New Music at Maryland concert in December 2008 and gave another performance of the work the following March at the College Music Society's 39th Mid-Atlantic Regional Conference at George Mason University. She has her Master's degree in Collaborative Piano at the University of Maryland, where she studied with Rita Sloan, and her Bachelor's degree in Piano Performance from the University of Michigan, where she studied with Louis Nagel and Katherine Collier. Tessa is a staff pianist in the vocal division at Duke Ellington School for the Arts and is on the piano faculty of Musical Expressions in Bethesda, MD.
Nicholas Hodges has appeared as a chamber musician,
recitalist, and orchestral musician in concerts and venues in the United States
and in Europe. Currently Nicholas is on faculty at the Levine School of
Music in Washington DC, freelances as a chamber and orchestral musician in the
Washington DC and Baltimore area, and is pursuing a Doctorate of Musical Arts
at the University of Maryland.
A native of Mechanicsburg, PA, Nicholas received a Bachelor of Music in
Violin Performance and Music Education from the Eastman School of Music,
studied as a Take Five Scholar at the University of Rochester exploring the
racial politics of the 19th Century American South, and completed a Master of
Music in Violin Performance and a Master of Music in Orchestral Conducting from
the Pennsylvania State University. He led as concertmaster of the
Williamsport Symphony Orchestra under Tomasz Golka, served on faculty at
Bloomsburg University of Pennsylvania for violin and viola, and served as the
Creative Director for the State College Suzuki Program. He was Assistant
Conductor of the Penn State Philharmonic and Music Director of the Penn State
Sinfonietta and has served as concertmaster of the National Orchestral
Institute, the Austrian-American Mozart Academy Orchestra in Salzburg, Austria,
Music School Festival Orchestra of the Chautauqua Institute.
Nicholas served as violist for the Adelphi String Quartet. The
Adelphi Quartet held the position of Graduate Quartet in Residence at the
University of Maryland from 2009-2011 under the guidance of the Guarneri String
Quartet and the Left Bank String Quartet. The Adelphi Quartet was a
semi-finalist in both the 2009 and the 2010 Fischoff National Chamber Music
Competition and has performed many highly regarded concerts around the DC area
and Pennsylvania.
Nicholas has
studied violin with Timothy Ying, James Lyon, David Salness, James Stern, John
Eaken, and Odin Rathnam. He has taken viola lessons with Michael Tree,
Katherine Murdock, and Daniel Foster.
Cellist Doug Jameson enjoys an active musical career in the greater Baltimore-Washington area. Doug is the Principal Cellist of the Prince George’s Philharmonic and the Inscape Chamber Music Project. He plays with orchestras throughout the region, and has performed with orchestras and chamber ensembles at Meyerhoff Symphony Hall, the Kennedy Center, and Alice Tully Hall. Doug has performed with the Singapore Symphony and the Yong Siew Toh Conservatory Orchestra on fellowship, and toured China in 2007 and 2009 as a member of the Mantovani Orchestra. As a chamber musician and recitalist Doug performs regularly as a member of the Largely Ludwig Chamber Ensemble and the Miller-Jameson Duo. In addition, Doug enjoys a schedule of offbeat recording and performance opportunities, which have recently included new chamber compositions and a promotional spot for ESPN football. Doug received his Bachelors and Masters degrees in Cello Performance from the Peabody Conservatory of Johns Hopkins University. He is adjunct faculty at the Park School, where he teaches music theory, ear training, composition, audio production, and coaches the Park String Ensemble. Doug serves as the cello section coach for the FAME youth orchestra, and his ninth year of teaching cello in Baltimore, where his students have taken part in All County, All State, and numerous other festivals and orchestras throughout the region.
Matthew Robotham is a percussionist in Washington DC. His performances include the Inscape Chamber Orchestra, Camerata Orchestra, Lafayette Symphony, Georgetown Symphony, Percussion Plus Project, Washington Vocal Artists, several DC theater orchestras and jazz/pop groups. Matt has recorded for CBS, NPR, Naxos American Masters Series, and Voice of America. In addition to performing, Matt also teaches and has presented master classes and clinics in several schools along the east coast and Texas. Matt received his masters degree from the Indiana University School of Music, where he premiered an Anthony Cirone composition for percussion and orchestra.
Clarinetist Evan R. Solomon is a freelance artist in the Washington DC area. He is principal clarinet and bass clarinet of Inscape Chamber Orchestra, and has appeared with the National Symphony Orchestra, The Kennedy Center Opera House Orchestra, Eclipse Chamber Orchestra, and Washington Concert Opera. Mr Solomon has also performed as principal clarinet of Opera on the James (Lynchburg, VA),and bass clarinet with The Delaware Symphony. He has performed under such conductors as Valery Gergiev, Leonard Slatkin, Eri Klas, and Michael Stern. As a chamber musician Mr. Solomon plays regularly with Inscape Chamber Music Project, a group of which he is a founding member. He is also a member of the Georgetown Quintet. He has performed in recital at the Kennedy Center, National Gallery of Art, The Smithsonian Institute, and Montgomery College. Over twenty new solo and chamber works for the clarinet have been composed for Evan Solomon. He has worked with many composers including Joe Hallman, Justin Boyer, John McGinn, Altin Volaj and others. Mr. Solomon holds the BM degree from The Peabody Conservatory of Music, and the MM from The University of Maryland. His principal teachers include Anthony Gigliotti, Loren Kitt, Steve Bates, and Paul Cigan. He is currently on the faculty of Montomgery College in Rockville, MD. Since 2005, Mr. Solomon has served as executive director of Inscape Inc.
 Violist Cassandra Stephenson is currently a Doctoral Candidate at the University of Maryland, studying with Dan Foster. A native of Saratoga Springs, NY, Cassie began her musical studies on piano and violin, later switching to viola. She graduated summa cum laude from Ithaca College in 2005, completing her undergraduate studies with Debra Moree. She completed her Masters Degree at the University of Maryland in 2007, studying with Kathy Murdock. Cassandra has appeared in recitals in New York and Maryland, and well as with various orchestral and chamber ensembles throughout the United States, Italy, Ireland, Germany, Spain, Venezuela, and the Czech Republic. Miss Stephenson has attended the Tanglewood Young Artists Program, the Adriatic Chamber Music Festival (Italy), the National Orchestral Institute, and the Blas Traditional Music Festival (Ireland). In addition to performing in the Washington, D.C. metro area, Miss Stephenson is an avid teacher and maintains a studio in College Park. She plays on a 2006 Stanley Kiernoziak, recipient of the 2006 VSA Certificate of Merit for tone.
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